從高雄的工作室，
到紐約的舞台。

From a small studio in Kaohsiung to the stage in New York.

中間是十年沒人看見的時間。那些深夜改版到天亮的日子、那些被退回去重新打版的樣品、那些只有自己知道值不值得的堅持——都沒有白費。這一次，我們選擇帶著台灣的手藝，走上那個曾經只能遠遠看著的舞台。

Ten years stood between them, mostly unseen. The nights spent re-fitting patterns until dawn, the samples sent back and remade, the quiet certainty that kept us going when no one else could see it — none of it was wasted. This time, we bring Taiwan's craft to the stage we once could only watch from afar.